Coulter Fussell
Side by Side
June 12–July 25, 2025
MARCH is pleased to present Side by Side, the first New York solo exhibition of Mississippi-based artist Coulter Fussell. Known for her quilted assemblages of found materials, this new body of work introduces recycled images alongside textiles.
Beginning as screenshots of Snapchats from the artist’s children, the works form as Fussell prints frozen images onto chiffon and sews them in place. Combined with found textiles, the final tableaux echo traditional quilts while memorializing the fleeting photos that constantly pass to and from our devices, commentaries on information velocity, waste and reuse, and communication... read more
Coulter Fussell
Little Gold Bow, 2024
Digital screenshot on chiffon, cotton batting, neon polyester, thread, panel, jaquard blanket, gold lamé
14 x 12 inches
Coulter Fussell
Spins, 2024
Digital screenshot on chiffon, cotton batting, neon polyester, and thread on panel
24 x 21 x 1 inches
Coulter Fussell
Dream Field, 2024
Digital video screenshot printed on chiffon, cotton batting, neon polyester, and thread on panel
12 x 12 x 3 inches
Coulter Fussell
The Dove Field, 2024
Digital screenshot on chiffon, cotton batting, neon polyester, and thread on panel
38 1/2 x 31 x 4 inches
Coulter Fussell
Jump, 2024
Digital screenshot on chiffon, cotton batting, neon polyester, and thread on panel
21 x 18 x 1 inches
Coulter Fussell
Night Splash, 2024
Digital screenshot on chiffon, cotton batting, neon polyester, and thread on panel
18 1/2 x 18 1/2 x 1 inches
Coulter Fussell
Holding, 2024
Digital video screenshot printed on gauze, cotton batting, neon polyester, and thread on panel
32 x 44 x 5 inches
Coulter Fussell
Side by Side
June 12–July 25, 2025
MARCH is pleased to present Side by Side, the first New York solo exhibition of Mississippi-based artist Coulter Fussell. Known for her quilted assemblages of found materials, this new body of work introduces recycled images alongside textiles. Beginning as screenshots of Snapchats from the artist’s children, the works form as Fussell prints frozen images onto chiffon and sews them in place. Combined with found textiles, the final tableaux echo traditional quilts while memorializing the fleeting photos that constantly pass to and from our devices, commentaries on information velocity, waste and reuse, and communication.
Every year, over ninety million tons of textile waste is produced globally. Every minute, more than 2.4 million photos and videos are sent on Snapchat, designed to disappear seconds later. Excess abounds, and few things are built to last. Yet in Fussell’s work, what would usually be discarded is rescued and weighed. Snaps from her children’s adventures are cropped and arranged to reflect essential moments, never edited or otherwise “tuned”. She cites her kids as “open collaborators”, generous and flexible with the imagery they provide. Even in the age of the iPhone, fireworks, cannonball splashes, and sunsets are among the subjects that capture their attention and inspire the urge to share and connect.
A fourth––or perhaps even fifth––generation quilter, Fussell’s practice is anchored in confident muscle memory. A constant student of human and textile histories, her methods are informed by archives, traditions, and global aesthetics. Though the works of Side by Side are unmistakably contemporary, they possess the same requisite three layers of a customary quilt. An elegant solution to the question of leftovers and scraps, quilting offers new purpose to otherwise discarded materials. Here, plywood is upholstered and layered with polyester, a vibrant ground for the chiffon prints to be stretched on top. Color palettes range from milky to psychedelic, responses to the ephemerality of Fussell’s subjects.
If you’re lucky, these images of childhood and adolescence may appear familiar to you. Hill country blanketed with golden green foliage and bordered by lakes, photos of Yalobusha County, Mississippi reflect a way of life that feels ever more elusive, particularly for those who find themselves looking through a screen far more than anywhere else. We glimpse long summer days, racing through the woods and splashing in lakes, breathing the smell of dry grass baking in the last of the sun’s rays, and driving down a cooled backroad at night. Fussell’s work records those things that merit the camera’s gaze, however fleeting, preserving them for just a little while longer.
Coulter Fussell (b. 1977) lives and works in Water Valley, Mississippi. Previous solo exhibitions include Pillow Talk at the Atlanta Contemporary (Atlanta, GA) in 2024, Downriver at Institute 193 (Lexington, KY) in 2023, Water Ground: River Raft Quilts at The Wiregrass Museum of Art (Dothan AL) and Hot Water: River Raft Quilts at the Alabama Contemporary Art Center (Mobile, AL), among others. She has exhibited at R & Company (New York, NY), The Carnegie (Covington, KY), Sheet Cake Gallery (Memphis, TN), Hunterdon Art Museum (Clinton, NJ), Arkansas Fine Arts Museum (Little Rock, AR), Columbus Museum of Art (Columbus, GA), Contemporary Arts Center (New Orleans, LA), Mississippi Museum of Art (Jackson, MS), and in the 2016 Atlanta Biennial (Atlanta, GA). Her work is in the permanent collections of the Mississippi Museum of Art (Jackson, MS) and the Columbus Museum of Art (Columbus, GA).
Discarded Bins of Abundance
A Conversation with Coulter Fussell and Lauren Kennedy
Curator and gallerist Lauren Kennedy speaks with Coulter Fussell about the work in Side by Side, on view at MARCH from June 12 through July 25, 2025.
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Coulter Fussell
Jump, 2024
Digital screenshot on chiffon, cotton batting, neon polyester, and thread on panel
21 x 18 x 1 inches
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Coulter Fussell
Spins, 2024
Digital screenshot on chiffon, cotton batting, neon polyester, and thread on panel
24 x 21 x 1 inches
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Coulter Fussell
Dream Field, 2024
Digital video screenshot printed on chiffon, cotton batting, neon polyester, and thread on panel
12 x 12 x 3 inches
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Coulter Fussell
Night Splash, 2024
Digital screenshot on chiffon, cotton batting, neon polyester, and thread on panel
18 1/2 x 18 1/2 x 1 inches
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Coulter Fussell
Little Gold Bow, 2024
Digital screenshot on chiffon, cotton batting, neon polyester, thread, panel, jaquard blanket, gold lamé
14 x 12 inches
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Coulter Fussell
Holding, 2024
Digital video screenshot printed on gauze, cotton batting, neon polyester, and thread on panel
32 x 44 x 5 inches
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Coulter Fussell
Corolla, 2025
Digital screenshot on chiffon, upholstery foam, neon polyester, and thread on panel
39 x 55 inches
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Coulter Fussell
The Dove Field, 2024
Digital screenshot on chiffon, cotton batting, neon polyester, and thread on panel
38 1/2 x 31 x 4 inches
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Coulter Fussell
Side By Side, 2025
Digital screenshot on chiffon, neon polyester, upholstery foam, thread, panel
34 x 38 x 4 inches
