Y. Malik Jalal
Bent
June 18–July 29, 2022

MARCH is pleased to announce our first solo presentation of works by Y. Malik Jalal. Jalal works in the legacy of Black craftsmanship, merging tradition with new technologies and ways of seeing.

Y. Malik Jalal has a problem. Many sleepless hours are spent online, on eBay specifically, cruising the found photography section, looking for images that resonate. Over the years he has honed his search terms: Graduation, Halloween, Funeral. Certainly, a snapshot never tells the full story, but he is looking for innocence and terror, fantastic and silly truths, people being at home in Black existence. Whether he wins the auction or not, he does not own the photographs. He is simply in service of them. And, make no mistake, it isn’t all fun; there is a heavy weight that comes from accepting the job as the custodian of someone else’s memories… read more

Download Press Release

Google Map screenshot of Glenwood Road in Decatur, Georgia.

“(Jalal’s) work is equally personal and fictitious, rooted in both the artist’s own identity and his relationship to the collective cultural identity and history of the African diaspora in the American South.”

–Alabama Contemporary, 2019

A mixed media work by Y. Malik Jalal titled Memorial Day Weekend, dated 2022.

“Memorial Day is a federal holiday in the United States for mourning the U.S. military personnel who have died while serving in the United States armed forces. It is observed on the last Monday of May at national cemeteries, by placing flowers and American flags on graves of military personnel. It was formerly observed on May 30 from 1868 to 1970.”

A mixed media work by Y. Malik Jalal titled Memorial Day Weekend, dated 2022.

Y. Malik Jalal, Everything I have, I took, 2022, mild steel, archival Inkjet print, plexiglass, 76 x 71 inches.

A mixed media work by Y. Malik Jalal titled Memorial Day Weekend, dated 2022.

“I want to maintain some craft—or at least a relationship with it, even if I’m not directly a craftsman or whatever. My father and a lot of the men in my family—and the women, for that matter—were working-class people and had pride in their craft.

–Y. Malik Jalal, Burnaway, 2019

A mixed media work by Y. Malik Jalal titled Memorial Day Weekend, dated 2022.

Press Release

Y. Malik Jalal

Bent

June 18–July 29, 2022

 

Loving African American Family Enjoy Xmas Dinner Buffet – Vintage 1990 Polaroid $18.50, $3.50 Standard Shipping

Vintage Polaroid Photo African American Woman Drinking Champagne On Ugly Couch $9.99 or Make Offer, $3.00 Standard Shipping

Vintage 30 Piece Polaroid Photo Lot Toys Men Women African American Cat Dog Car $29.99 or Make Offer, $4.50 Standard Shipping

Y. Malik Jalal has a problem. Many sleepless hours are spent online, on eBay specifically, cruising the found photography section, looking for images that resonate. Over the years he has honed his search terms: Graduation, Halloween, Funeral. Certainly, a snapshot never tells the full story, but he is looking for innocence and terror, fantastic and silly truths, people being at home in Black existence. Whether he wins the auction or not, he does not own the photographs. He is simply in service of them. And, make no mistake, it isn’t all fun; there is a heavy weight that comes from accepting the job as the custodian of someone else’s memories.

Let us stand with both feet upon the shoulders of the past and gather before us the events of today as an horoscope of time; and we will be able to detect and depict, in the gray dawn of the new morning, the events that will transpire and to read between the lines the story of the age.

– “What Shall the Harvest Be?” preached by Rev. J. W. E. Bowen; 1892

The church stands in the middle of a nearly empty block towards the edge of the town where the woods crowd against the worn pavement. It is small and wooden, and the peach paint shows signs of peeling. A look in any corner reveals that the foundation has started sagging. The exterior of the building bears a freshly painted pristine white box, a carefully lettered sign announcing that we are at Little Zion African Methodist Episcopal Church. Sunday worship begins at noon.

If you know your Old Testament, you might recall:

Gather the people, sanctify the congregation,
Assemble the elders,
Gather the children and the nursing infants.
Let the bridegroom come out of his room
And the bride out of her bridal chamber.

Come noon on any given Sunday, if you were to stand here on the edge of the woods to watch the parishioners assemble, you would see not a gathering of masses from the Old Testament but a clustering of a few–perhaps a dozen–Black people. And, if you remember your New Testament, you might consider Jesus’s promise that ”Where two or three are gathered together in My name, there am I in the midst of them.”

Jalal works in the legacy of Black craftsmanship. As both artist and professional metalworker, he bends iron with labor and prayer: a true human epic. Jalal is in service of a higher calling like those who came before him including Philip Simmons, the renowned Charleston artisan and blacksmith who passed on in 2009. Close your eyes and picture Charleston: the Southern belle snow globe where time stands still. The atmospheric brick streets, the carriage homes, the slender church towers, and the veranda-fronted mansion. The common thread is Simmons’ craft. Over his seven-decade career, he produced over five hundred pieces of ornamental wrought iron: gates, balconies, window grills, and fences. In some ways, he built the city that travel magazines have consistently named Best in the United States. In 1982, when he accepted a National Heritage Fellowship award from the NEA, he said, “My instrument is an anvil. I guess some of you have heard me play.” Jalal too plays the instrument of the anvil, but also the mouse and screen, a logical step toward the future of Black craft in the Southern United States.

–Daniel Fuller

Y. Malik Jalal was born in 1994 in Savannah, Georgia and is based in Atlanta, Georgia. Jalal earned a BA from Oglethorpe University in 2016. Previous solo exhibitions include Of Joy and Terror at the Coleman Art Center (York, AL), Altars to the Liver at Institute 193 (Lexington, KY), and A Study of the Supernatural Phenomena of Emergence at the Alabama Contemporary Art Center (Mobile, AL). His work was included in MARCH’s Pre-Renovation Potluck, as well as shows at the Atlanta Contemporary, Hi-Lo Press, Delaplane, and the Gallery by Wish, among others. Jalal has curated group exhibitions at The Hi-Lo Press and the High Rise Exhibition. His zine, A Brief History of the World Vol. 1, was released exclusively at For Keeps Books in 2020.

 

Download Press Release

Subscribe

Receive the latest news and updates from MARCH

Thank you for following along with MARCH