• An oil painting by Phyllis Yao showing the curve of the sun in outer space and Earth shining in the distance. A forest appears in the darkness of outer space.

    Phyllis Yao

    Where is this hope on Earth?, 2022

    Oil on canvas

    52 x 60 inches

  • An oil painting by Phyllis Yao titled Kyle's Star Spiral, dated 2023. The painting shows the whorl on the crown of a young child's head.

    Phyllis Yao

    Kyle’s Star Spiral, 2023

    Oil on canvas

    8 x 9 inches

  • An oil painting by Phyllis Yao titled Lydia's Star Spiral, dated 2023. The painting shows the whorl on the crown of a young child's head.

    Phyllis Yao

    Lydia’s Star Spiral, 2023

    Oil on canvas

    8 x 9 inches

  • An oil painting by Phyllis Yao dated 2023. The painting shows a colograph print of a dragon-like creature, signed "Raphael."

    Phyllis Yao

    Homage to My Students 1, 2023

    Oil on canvas

    12 x 18 inches

  • An oil painting by Phyllis Yao titled The Arts and Crafts of Turkestan, dated 2023. The painting shows a person sitting on the sofa in a living room, reading a book (titled The Arts and Crafts of Turkestan). The room is washed in images from the boo––floral and geometric patterns appear on the walls and floors like a projection.

    Phyllis Yao

    The Arts and Crafts of Turkestan, 2023

    Oil on canvas

    50 x 70 inches

  • An oil painting by Phyllis Yao titled 家里有鬼 (jia li yǒu gui) 2, dated 2023. The painting shows a figure lying in a dark room. Over the figure's head floats a drawing of a figure standing in a room.

    Phyllis Yao

    家里有鬼 (jia li yǒu gui) 2, 2023

    Oil on canvas

    48 x 56 inches

34 Landscapes

Greg Burak, Katelyn Eichwald, Claudia Keep, María Korol, Sarah D’Ambrosio, Kevin Ford, Dorothy F. Foster, Sebastián Hildago, Drew Kohler, Joe Light, Amanda Millet-Sorsa, Eric Palgon, Mariana Paniagua Cortés, Chris Peckham, Isabelle Schipper, Aineki Traverso, Phyllis Yao, Matt Zaccari

July 16 -August 29, 2026

Ides of March

March 15 -May 2, 2026

Where is this hope on Earth?

Phyllis Yao

November 3 -December 16, 2023

Selected Solo Exhibitions

Phyllis Yao
NADA Miami
2024

Feelings (Two Person Exhibition)
Chinese American Arts Council (CAAC)/Gallery 456
2021

An Anemone Smiles at Me (Two Person Exhibition)
Ed. Varie
2018

 

Selected Group Exhibitions

Love’s Other Name
The Spite Haus
2023

Salad Days
Personal Space
2023

Fiber of my being
Hales Gallery
2022

Group Show
King’s Leap
2021

This Point is Exactly Midway Between Two Other Points
Tiger Strikes Asteroid
2021

Common Ground
Children’s Museum of the Arts
2019

Haunted Image: the longest scratch on the floor you could polish away
Modern Life Fine Arts
2019

Uncanny Tales
AGENCY
2019

Bunk Notes
Pilot Projects
2018

Emoji Show
Klaus von Nichtssagend Gallery
2018

Us
Ed. Varie
2018

Friends are the Best
Grand Opening Gallery
2018

Looking Good and Feeling My Best
Booth Gallery
2016

 


Phyllis Yao prioritizes process over quantity, exploring a multitude of ways to make a painting: drawing, layering, dripping, and rendering. While her paintings explore a range of imagery (the inside of a faculty lounge, a Greek bust, a doll house) and technique, her ideas all originate from close observations, personal relationships, and a desire to make connections. It is often quotidian occurrences that inspire her paintings.

Phyllis Yao was born in 1994 in Queens, NY. She holds a BFA in painting from the Rhode Island School of Design. Her solo exhibition include Un Sospiro at Alice Amati (London, UK) in 2025 and Where is this hope on Earth? at MARCH (New York, NY) in 2023. She has previously exhibited at the Chinese American Arts Council (CAAC)/Gallery 456 (New York, NY), Hales Gallery (New York, NY), and Klaus von Nichtssagend Gallery (New York NY), among others. She has been an artist-in-residence at Lijiang Studio (Yunnan Province, China), Shandaken: Storm King (New Windsor, NY), and Sharpe-Walentas Studio Program (Brooklyn, NY). She has worked with MARCH since 2023.

Download full CV

Li Tang
Ask “What If”, New York-based Artist Phyllis Yao
November 27, 2020

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